强悍到不讲理的美术风格(蒸汽波加强版)就此可以让人不去追究设定剧情里种种天外飞仙(或者就是里面提到的Deus Ex Machina?)也许这就是Hyperreality时代与传统追求摹仿现实主义美学最大的不同(另一种真实)anyway最后一吻让我明白了这就是数码时代的Hyper GV
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In terms of cast, it has to be said that Gary Oldman looks nothing like Herman Mankiewicz. The olde visuals seem to be the main reason to watch this film, and its this smokey, shadowy, cigarette-burnt, ’40s aesthetic that’s the film’s only positive. The fact that a film about a writer (which intermittently includes script elements) isn’t particularly well written is ironic to say the least. This is basically another love letter to Hollywood’s “great” past like Quentin Tarantino‘s similarly critically overrated shite-fest OUATIH. It's a black and white ode to a period of time that only a select few give a toss about; it’s made for film students, cinephiles, and pompous critics.
9.2 昆汀不再沉迷章回体叙事而是揭开历史的阴霾与观众们共同游离那繁华似锦的1969享受着加州的浮生一梦rickclive and sharon跟随他们的视角畅游hollywood以此构建起了那个完美而又迷人的电影黄金时代充满着对电影的真诚与对电影人最诚恳的敬意最后一个小时画风一转旁白的出现开始重写历史这一次暴力变得毫无魅力昆汀选择了温柔他模糊了那些历史的伤痛在梦幻般的影像中一醉方休Once upon a time... in hollywood实际上和它的前辈《就此》一样讲述的是the end cowboy精神不再当今的好莱坞就如hippies一般癫狂无趣嘲讽的意义不明而喻如此一部真诚又美好的回眸怎能不爱?